Inspired Spec Townhouse Makeover in Brooklyn

Q: What was the inspiration behind the design?

The design was inspired by the classic brownstones of Brooklyn. The designers aimed to create a modern interpretation of a traditional Brooklyn townhouse.

Q: What were some of the design elements used in the makeover?

The designers used a mix of classic and contemporary design elements. Some of the techniques used included a black and white color palette, bold graphic patterns, and the use of natural light.

Q: What was the objective of the renovation?

The objective of the renovation was to transform an outdated and poorly designed townhouse into a modern and functional living space.

Q: What was the cost of the renovation?

The cost of the renovation was not disclosed.

Q: Where can I find more information about TBO Design and Hovey Design?

More information about TBO Design and Hovey Design can be found on their respective websites.

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In the high-stakes world of speculative real estate, it’s not surprising that so many people stick to familiar and unimposing design choices. But what made us take note of this Bed Stuy, Brooklyn, townhouse fixer-upper was the inventiveness of the overhaul.

Owner Tatiana Cames of Townhouse Therapy is both a real estate broker and a remodeler: her firm has its own general contracting division and since 1992, she’s been seeking out historic structures “in frightening shape” and turning them around. For this particular project, she began by enlisting architects Thom Dalmas and Bretaigne Walliser to take on the gut renovation and enlargement of a 1899 brick structure, a single-family house that had been long ago divided into apartments and was very beat up. Two years, a back extension, and new top floor later, she got it ready for showing by taking TBo’s advice and calling in the city’s star staging sisters Hollister and Porter Hovey of Hovey Design.

Both duos are longtime Remodelista favorites and had collaborated on another Brooklyn townhouse: see The Anti-White Box Development. The architects, formerly of Fabr Studio, are here unveiling the first project by their new design firm, TBo (for Thom-Bretaigne office). Theirs is not a cookie-cutter approach: “We go into each project trying to infuse our buildings with something nuanced and spirited.” Join us, for a look around.

Photography by Jonathan Hökklo courtesy of TBo (@TBo_architecture), unless noted.

the cast in place concrete back extension &#8\2\20;interlocks with the orig 17 — Above: The cast-in-place concrete back extension “interlocks with the original masonry construction, hugging and intertwining with the old building,” says Bretaigne. “The windows in the rear are deliberately oversized to suffuse the space with light and create a sense of scale and volume unexpected for a townhouse.” The new third floor is clad in Corten siding (scroll to the end for a closeup). A back stair connects the parlor floor to the garden level, which has a separate apartment that can be used as a rental.

Parlor Floor

the architects restored the living room to its original dimensions and preserve 18 — Above: The architects restored the living room to its original dimensions and preserved the existing fireplace. Known for their celebration of simple materials, they applied Diamond veneer plaster walls and restored the original woodwork throughout. The floors are reclaimed heart pine from Provenance.

To furnish the rooms, the Hoveys dipped into their vintage European collections and travel treasures: the chairs and console are midcentury Italian and the coffee table is a 1970s Milo Baughman design (the sofa is West Elm’s discontinued Double Dream). As with all Hovey projects, Hollister created abstract paintings to define the key spaces; the mantel’s sea life canvas introduces the upstair’s tile palette to the main floor.

the living room entry was widened to open it to the entry. the scale of the ori 19 — Above: The living room entry was widened to open it to the entry. The scale of the original windows and doors, Bretaigne points out, “helps to ground the older parts of the house. We didn’t, however, replicate these in the extension: we think it’s important to have a different syntax for the new spaces.” The terra-cotta vase on the pedestal is by Jaye Kim from Sincerely, Tommy.

the dining room overlooks the kitchen located in the extension. here, the archi 20 — Above: The dining room overlooks the kitchen located in the extension. Here, the architects preserved the houses’s original rear brick wall and window openings—”but cut these openings down to the floor, so that one can walk through them: they became a passageway between the preexisting and the new space.” The walls are finished with a mix of mortar, lime, and sand known as “pigmented bagged brick.”

a \1960s rattan high back chair and \1950s rosewood console table, both italian 21 — Above: A 1960s rattan high-back chair and 1950s rosewood console table, both Italian, stand next to the exposed concrete framing of the extension. One of the Hoveys’ favorite furniture sources is LiveAuctioneers.com: “in a turn of fate, we found a bunch of gorgeous Italian and French midcentury pieces at auction the week prior to our install.” Go to Real Estate Staging with Style and Affordability for their secrets to creating pulled-together rooms.

&#8\2\20;our approach for the extension was to create a spatially distincti 22 — Above: “Our approach for the extension was to create a spatially distinctive environment that would both complement the original Italianate and Federal details and bestow something new,” says Bretaigne.

&#8\2\20;the kitchen design is centered on a large island, placing emphasis 23 — Above: “The kitchen design is centered on a large island, placing emphasis on the rich red stone surface and the idea of a large, communal gathering spot in an otherwise spartan space,” says Bretaigne. Note the extension’s Douglas fir beams and clerestory windows.

the custom millwork is oak topped with rosso collemandina marble. the \1960s co 24 — Above: The custom millwork is oak topped with Rosso Collemandina marble. The 1960s counter stools are by Tito Agnoli. Photograph by Hollister Hovey.

Second Floor

tatiana says she envisions a buyer &#8\2\20;with european sensibilities who 25 — Above: Tatiana says she envisions a buyer “with European sensibilities who leans to the artistic side” and has a family: the second floor was set up as the kids’ area. Shown here, a central play space. The Hoveys accessorized it with pieces from their straw animals collection.

“We found the Spanish cactus and burro at shops in New York and Connecticut a few years back, the buffalo is by Javier Sanchez Medina, who is the reigning king of the craft. Before lockdown, we visited his atelier in Madrid.” The Harlee Director’s Play Chairs are by Leanne Ford for Crate & Kids. Photograph by Hollister Hovey.