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Books Are Good Company: A Design-Minded Bookshop in Lisbon

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Books Are Good Company: A Design-Minded Bookshop in Lisbon

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Books Are Good Company: A Design-Minded Bookshop in Lisbon

by Published: March 19, 2025

When I’m heading to a new city—no matter where—my Must Visit list always consists of 1. pastry shops and 2. bookstores. You can see where my priorities lie. Bonus points if they’re beautifully designed.

Concerning that second category, I recently stumbled on Good Company, an English-language bookshop and cafe in Lisbon designed by Perrine Velge, the Belgian-born, Portugal-based designer behind Studio Pim. Join us for a virtual look around—and if you’re lucky enough to be in Lisbon, pop in (it’s at Av. Visc. de Valmor 2).

Photography courtesy of Studio Pim.

good company is the brainchild of samuel miller, an american, and giovanna cent 17
Above: Good Company is the brainchild of Samuel Miller, an American, and Giovanna Centeno, a Brazilian, who met while studying in Switzerland. Their vision for the bookshop? A space for English language books that’s welcoming to all—plus coffee, pastries, wine, events, and, eventually, making Portuguese works available for English language readers.

The duo brought in Perrine of Studio Pim for the interiors. “The most instructive stage of the process was visiting Samuel and Giovanna’s favorite spaces in Lisbon together, most of which have been around for more than half a century,” says Perrine, including Cafe Nicola, Galeto, and Pastelaria Mexicana, among others. “I understood quickly that Good Company had to feel like it belonged here, like it had evolved out of the city. We borrowed a number of design elements from these inspirations—the marble bar, the display in the entrance, the fresco above the bar—but more broadly we were captured by the sense of egalitarianism and beauty that went hand in hand in so many of these places.”

The window banquettes were inspired by Scottish designer Charles Rennie Mackintosh, to keep the backs partially open to the street, and are upholstered in Radiostar fabric by Pierre Frey.

inside, books are the main event. &#8\2\20;the octagonal table in the entra 18
Above: Inside, books are the main event. “The octagonal table in the entrance serves as a welcoming book display as well as a roundabout, connecting the book and cafe spaces and directing the flow of customers between them,” says Perrine. “It was inspired by a display table in an iconic, now closed, Lisbon bookstore called Aillaud e Lellos. Older locals might just recognize it.”

As for the bespoke light above: “It’s deliberately oversized, in part because of the high ceiling but also so that it guides customers back to the center of the space,” says Perrine. In the evenings, “the light is visible through the large windows and functions as a sort of beacon, drawing people in.”

for the palette of the space, studio pim kept it simple. &#8\2\20;the pleth 19
Above: For the palette of the space, Studio Pim kept it simple. “The plethora of book covers on display at all times meant that any other bright colors could quickly become too much,” says Perrine. “We knew we would keep the existing cream terrazzo floors and that we would have a lot of wood shelving and the marble bar; we were concerned about the acoustics of so many hard surfaces, and so we opted for Burel wool panels on the ceiling, which became an opportunity to introduce another color that didn’t clash with the books.” Pistachio green was the perfect “deviation from the austerity of the marble and the wood without being overwhelming. It adds just the right amount of depth to the palette.”

All of the lighting throughout the space was custom-made by artists throughout Portugal, like the pink cotton light at the far end of the space, over the children’s area, made in collaboration with Lisbon-based designer Camille Gaidier of Atelier Uba.

the bookshelves were designed by studio pim to be &#8\2\20;adjustable, slee 20
Above: The bookshelves were designed by Studio Pim to be “adjustable, sleek, and timeless” with bold dentil-like details. The boxy silver sconces are another Studio Pim design.
around the corner is the cafe space. &#8\2\20;the marble bar is of course v 21
Above: Around the corner is the cafe space. “The marble bar is of course very Lisbon and helps to maintain the connection to so many iconic venues,” says Perrine. “Ours is contemporized with added curves.”
&#8\2\20;the tiled frescos above the bar take inspiration from an iconic li 22
Above: “The tiled frescos above the bar take inspiration from an iconic Lisbon space, Cafe Nicola,” adds Perrine. “A favorite of our clients and a renowned haunt of writers and thinkers, it continues to do a roaring trade beneath its own twin frescoes. We commissioned a local artist, Henriette Arcelin, to paint our frescoes on tile.” And yes, the cafe serves wine at night.
a design challenge: &#8\2\20;the huge windows meant every single element of 23
Above: A design challenge: “The huge windows meant every single element of the space would be visible from the outside,” Perrine says. “There is this wonderful Edward Hopper feel as the sun goes down and the decorative lighting begins to create shadows and highlights.”

For more—and to visit—head to Good Company. And for more in Lisbon, might we suggest:

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