Before and After: A 1912 Arts & Crafts Home Originally Built for an English Explorer

Q: What was the goal of this renovation project?

The goal of this project was to restore a historic Arts and Crafts-style home and bring it up to modern standards while preserving its original character.

Q: What were some of the challenges of this renovation project?

Some of the challenges of this project included dealing with structural issues, updating outdated systems, and preserving the historic character of the home while making it functional for modern living.

Q: What changes were made to the home?

Some changes made to the home include updating the kitchen and bathrooms, adding a new family room and mudroom, and restoring original features such as the wood paneling and fireplace.

Q: What is the style of the renovated home?

The style of the renovated home is a mix of traditional and modern, with an emphasis on preserving the Arts and Crafts style of the original home.

Q: How long did the renovation take?

The renovation took approximately 18 months to complete.

Q: Who was involved in the renovation project?

Tamsin Saunders was the lead designer and renovator, along with a team of contractors and tradespeople.

Q: What was the budget for this renovation project?

The budget for this renovation project was not disclosed.

Q: Can I hire Tamsin Saunders for my own renovation project?

Yes, Tamsin Saunders is available for hire for renovation and design projects. Contact her through her website for more information.

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In 1912, British explorer, naturalist, and writer Aubyn Trevor-Battye tasked architects Inigo Trigs and William Unsworth with building his dream home in Hampshire, England. Inspired by the Alhambra, a grand Moorish palace in Granada, Spain, he requested a yellow stucco facade, a red tile roof, arched windows, and a deep connection to the surrounding landscape. He asked for Tuscan columns and ornate, vaulted ceilings, too.

Over 100 years later, most of the original features remain, which is why a family with three teenage children recently purchased the historic property. “It was an absolute gift of a house,” says Tamsin Saunders, the interior designer entrusted with sprucing up the place for the new owners. “It’s so gorgeous. It’s Grade II listed Arts & Crafts. And it’s set on the most amazing grounds, which were designed to feel like a natural garden.”

Tamsin, who recently launched online and by-appointment vintage shop Home & Found, refurbished the home with a light touch. She rewired the electrical system for modern use, freshened up the plasterwork, and decorated with an updated traditional aesthetic that complements the century-old architecture. “We wanted it to feel really timeless and as if it had basically been in the same family forever,” she explains.

By incorporating the clients’ inherited antiques, sourcing Arts & Crafts furniture, and employing a variety of floral patterns, Tamsin successfully achieved this heritage look. Let’s take a tour.

After

integrating the lush green environment into the interior was part of aubyn& 17 — Above: Integrating the lush green environment into the interior was part of Aubyn’s original brief, so Tamsin aimed to honor that. “The exterior walls are clad with wisteria, so we used Bennison Fabrics throughout because they have that lovely faded timelessness,” she says. “I love their colors. They’re so soft and gentle. It’s all about bringing the outside in. And those windows are just to die for, aren’t they?”

in the foyer, a swedish still life painting hangs beneath the sweeping staircas 18 — Above: In the foyer, a Swedish still-life painting hangs beneath the sweeping staircase, while a large 1930s vase filled with a leafy floral arrangement forges a bond with the outdoors.

tamsin restored the historic hardwood flooring and elaborate plaster ceiling in 19 — Above: Tamsin restored the historic hardwood flooring and elaborate plaster ceiling in the living room. She then enhanced the latter with an extravagant chandelier. “I loved it because it’s got the amethyst drops,” she says. “It’s Italian, and everything in it is original. So it’s just gorgeous and it’s got fantastic silver details.”

a window bench overlooks the verdant garden and a flowing stream lined with wil 20 — Above: A window bench overlooks the verdant garden and a flowing stream lined with wild garlic. The custom striped cushion is topped with patterned pillows made from vintage textiles. “I don’t like anything that’s solid,” Tamsin says. “I love pattern because it breaks things up. I don’t like anything to really shout out at you, but I like a pattern in a very gentle, organic, natural way. I think things should just quietly resonate or just be really beautiful.”

the clients&#8\2\17; inherited antique bureau fits right in. 21 — Above: The clients’ inherited antique bureau fits right in.

tamsin paired the original green granite fireplace with an olive velvet wingbac 22 — Above: Tamsin paired the original green granite fireplace with an olive velvet wingback chair. “It’s a nice, big, solid chair to hunker down in and not be disturbed when you’re reading the papers in front of the fire,” she notes.

in the kitchen, tamsin replaced the poky \1980s cabinetry with spacious custom 23 — Above: In the kitchen, Tamsin replaced the poky 1980s cabinetry with spacious custom inset cupboards. She designed fronts with recessed arch details that mimic the shape of the original door and painted them a warm buttermilk hue inspired by the existing Aga range. “I’m obsessed with joinery,” she admits. “I’m a bit of a frustrated yacht designer. I think storage is sanity, especially if you’ve got a busy family life. Everything should have a place.”

the kitchen&#8\2\17;s soft chalky gray walls and speckled granite counters 24 — Above: The kitchen’s soft chalky gray walls and speckled granite counters nod to the stonework outside.

The copper jelly molds on top of the cabinet are an homage to the nearby Petworth House. “It’s a beautiful English country house quite close by,” she says. “It’s been the same family for generations and they still live there. And in their kitchens, which are open to the public, they have this incredible collection of copper jelly molds.”