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‘Resourcefulness as a Design Principle’: A One-of-a-Kind Remodel by Two Artists on a Budget

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‘Resourcefulness as a Design Principle’: A One-of-a-Kind Remodel by Two Artists on a Budget

June 24, 2024

Amy Dennis studied painting at Edinburgh College of Art and then went on to work in curatorial roles before returning to painting full time. Her husband, Neville Rae, has a degree in environmental art from Glasgow School of Art and worked as an artist and technician before launching Old School Fabrications, a metalwork, carpentry, and design studio. As trained artists, the two understand intimately how form and material, light and shadow can inform artwork. The same fundamental lessons, they realized, could (and should) be applied to a home remodel. (Go to The Modern House for an interview with the pair.)

In 2014, the two bought the ground-floor flat of an 1890 Victorian townhouse in Portobello, a coastal suburb of Edinburgh. They were wooed by the idea of raising their son, Ossian (then four years old), in a tight-knit beach community. A private garden, something they had never had before, sweetened the deal. The family moved in, did some rewiring and plumbing work, and as Ossian grew and both Amy’s and Neville’s creative pursuits flourished, they decided to embark on an expansion. Working with architect Calum Duncan, they added an extension and shuffled some rooms around so that Amy could have a dedicated art studio.

Just as they are in their artistic practices, Amy and Neville were adventurous in their materials palette for the remodel (Douglas fir, plaster, Jesmonite, and black Valchromat). They paid attention to the transitions in their home between light and dark spaces. And they played with shapes and scale, with Neville designing and fabricating many of their unique furniture pieces.

“[Our home] reflects the way we live, our interests, our work,” says Amy. “And resourcefulness as a design principle. Many of our design choices are informed by…not having a large budget but getting materials to do the very most possible by revealing them, finishing them, making objects carefully. We both work well within constraints and both love learning about new materials and processes.”

Photography courtesy of The Modern House.

the victorian townhouse was divided into two apartments in the \1980s. amy and  17
Above: The Victorian townhouse was divided into two apartments in the 1980s. Amy and Neville bought the downstairs flat, which had two bedrooms then, in 2014.
the new extension in the back, added in \20\17, now houses the kitchen. the cle 18
Above: The new extension in the back, added in 2017, now houses the kitchen. The clean, modern lines of the Siberian larch-clad addition contrast with the traditional pitched roof of the former scullery (now Ossian’s bedroom).
the couple—with balthus, their blue whippet—relax in their new ki 19
Above: The couple—with Balthus, their blue whippet—relax in their new kitchen. The table and benches, inspired by Gerrit Rietvelt, were made by Neville using the leftover Douglas fir from the ceiling joists. The painting is by Tim Dodds.
neville fabricated the cabinets; the doors are made from an engineered colored  20
Above: Neville fabricated the cabinets; the doors are made from an engineered colored wood called Valchromat. “The walls are plastered in British Gypsum’s magnetic plaster. We were pricing up Venetian plaster and micro-cement but it was outside our budget,” he says. “[It’s] designed to be used in offices, so you can stick drawings to walls with magnets. I watched a video of how to apply and saw that it is black on application, then dries a lovely grey.”
the couple, again playing with contrasts, chose to keep the palette dark and mu 21
Above: The couple, again playing with contrasts, chose to keep the palette dark and muted in the room that gets the most natural light. The sculpture is by Gordon Munro.
&#8\2\20;the path  moves from dark to light, with a large angled skylight t 22
Above: “The path [from the living room to the kitchen] moves from dark to light, with a large angled skylight that bridges the high Victorian ceiling [in the living room] to the lower Douglas fir rafters [in the kitchen], a transition that works really well as you see this interesting composition from the living room.”
the tv cabinet (designed to look like a dartboard) and donald judd like plywood 23
Above: The TV cabinet (designed to look like a dartboard) and Donald Judd-like plywood sofas were DIY’ed by Neville. Pops of cobalt blue appear throughout the home. “Amy was using the colour in a painting—it’s a very powerful colour. We started using it sparingly and accumulatively, starting with door handles,” explains Neville. “Then we found two tubular steel-legged tables in sort of a classroom blue, then cushions.”
&#8\2\20;on removing a wall of plasterboard in the living room, we discover 24
Above: “On removing a wall of plasterboard in the living room, we discovered the original range hearth and an incredible large stone surround that is blackened with bitumen and has a line of sculptural tooled marks.” The walls here are “just the standard multi-finish skimmed plaster, which dries a lovely pink.”
amy&#8\2\17;s art studio, which on occasion acts as exhibit space, is in th 25
Above: Amy’s art studio, which on occasion acts as exhibit space, is in the front of the home. All the millwork in the home is painted Downpipe by Farrow & Ball; the walls here have been plastered with British Gypsum’s magnetic plaster. Displayed in the pigeonhole cubbies (salvaged from a local mechanic’s garage) are works by artists Ben Arnup, Brent Millar, James Rigler, and George Wyllie.
the furniture in this room is mostly secondhand. amy&#8\2\17;s paintings, w 26
Above: The furniture in this room is mostly secondhand. Amy’s paintings, works in progress, are displayed on the wall shelves at left. The trellis window blinds, made by Neville, were inspired by window screens spotted in Spitalfields.
the green steel cabinet was bought from the local community hall. the magnus ol 27
Above: The green steel cabinet was bought from the local community hall. The Magnus Olesen chairs are vintage. And Neville cast the fireplace surround from black Jesmonite. “Our interiors are all based on thrift and a desire to space save,” says Amy. The painting on the mantel is by
Orkney artist Sylvia Wishart; on the green armoire is art by Scottish painter Barbara Balmer.
the window in the main bedroom glimpses out onto the new addition. 28
Above: The window in the main bedroom glimpses out onto the new addition.

&#8\2\20;we thought it would be fun to paint a bedhead  inspired by the art 29
Above: “We thought it would be fun to paint a bedhead [headboard] inspired by the artist Oswaldo Licini’s bedroom in Italy.”
For more creative interiors, see:

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N.B. This story originally ran on November 3, 2023, and has been updated.

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Frequently asked questions

What is the name of the apartment in Edinburgh featured in the article?

The name of the apartment is Amy, Dennis, Neville, and Rae's Edinburgh Apartment.

Who are the owners of the Edinburgh Apartment?

The owners of the Edinburgh Apartment are Amy, Dennis, Neville, and Rae.

Where is the Edinburgh Apartment located?

The Edinburgh Apartment is located in the city of Edinburgh, Scotland.

Can you give a brief description of the Edinburgh Apartment's interior style?

The Edinburgh Apartment's interior style mixes mid-century modern with Victorian and traditional elements.

What are some notable features of the Edinburgh Apartment?

Some notable features of the Edinburgh Apartment include original fireplaces, high ceilings, and large windows.

Who is credited with the renovation of the Edinburgh Apartment?

The renovation of the Edinburgh Apartment is credited to the owners themselves, Amy, Dennis, Neville, and Rae.

What inspired the owners during the renovation process?

The owners drew inspiration from their travels, particularly time spent in Los Angeles and San Francisco.

Which room in the Edinburgh Apartment is the owners' favorite?

The owners' favorite room in the Edinburgh Apartment is the living room, which they consider the heart of the home.

What is the approach of the owners towards decorating their home?

The owners approach decorating their home by mixing old and new, collecting unique items, and incorporating lots of plants.

Can you describe the color palette used in the Edinburgh Apartment?

The color palette in the Edinburgh Apartment is mainly neutral, with pops of color brought in through artwork and accessories.

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